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老圃,姓白名进海,金海,菜园子老白.1955年生,北京人,1982年毕业于中央美术学院中国画系,2004年毕业于中央美术学院首届国画专业博士课程研修班,师从张立辰先生,现为荣宝斋画院研究创作中心主任,其画作多取材于瓜果、青蔬、花鸟,从选材到如何描绘题材上显示与一般花鸟画家有很大的不同,能将自然之情、乡情融为一个独特的艺术审美世界,用笔简朴、设墨清雅,崇尚简淡中和之道,在写实中强调表现性,独蹊一格.
Old nursery, white name into the sea, golden sea, vegetable garden old white. Born in Beijing in 1955, graduated from the Department of Chinese Painting of the Central Academy of Fine Arts in 1982, graduated from the First Doctoral Course of Chinese Painting of the Central Academy of Fine Arts in 2004. Mr. Zhang Lichen is the director of the Research and Creation Center of the Rongbaozhai Academy of Painting. His paintings are mostly based on melons, fruits, vegetables, flowers and birds. From the selection of materials to how to depict the subject matter, they are quite different from the general flower and bird painters. It can blend natural feelings and homesickness into a unique artistic aesthetic world. It is - and elegant in writing, advocates the - and neutral way, emphasizes expressiveness in realism and is unique in style.
他(老圃)不追求那种气势夺人的阳刚之美,他也不欣赏那种孤寂悲愁的苍凉之境,既无故作文人高雅之态,又无矜持造作媚俗之感,他的画如其人,崇尚简淡中和之道.正像唐人司空图在著名的《诗品》中所指出的"冲淡"、"典雅"、"自然"、"清奇"诸品其意旨都体现在他的作品中.如果我们用平常心、细致心、静默心去看,是不难进入老圃菜园子里的平淡清逸、柔雅玄思的审美境界的,也体会到他的"落花无言,人淡如菊"和"素处以墨,妙机其微"的感受与乐境.
1982年毕业于中央美术学院中国画系.
2002年考入中央美院两年制博士课程班.
2004年毕业于中央美术学院首届国画专业博士课程研修班,师从张立辰先生.
2005年起,荣宝斋画院画家、教务处处长.
2007年起,荣宝斋画院中国画研究创作中心主任.
2010年起,北京文史馆馆员.
He (old nursery) does not pursue that kind of masculine beauty, nor does he appreciate the lonely and sad desolate state, neither the elegant manner of the writer for no reason, nor the feeling of being vulgar. His paintings are like his own, advocating the - and neutral way. Just as Sikong Tu of Tang Dynasty pointed out in his famous pOEMs, the meanings of "dilution", "elegance", "nature" and "singularity" are embodied in his works. If we look at it with ordinary heart, meticulous heart and quiet mind, it is not difficult to enter the aesthetic realm of plain, elegant and profound meditation in the garden of vegetable in the old nursery. We also realize his feelings and joy of "falling flowers without words, people are as indifferent as chrysanthemum" and "plain ink, subtle opportunity".